TONIGHT, SOTHEBY'S IMPRESSIONIST & MODERN EVENING SALE WAS LED BY PABLO PICASSO'S ICONIC 1932 PAINTING OF MARIE-THERESE WALTER, LA LECTURE, WHICH SOLD TO A ROUND OF APPLAUSE FOR £25,241,250 /$40,711,612, MORE THAN DOUBLE THE LOW ESTIMATE OF £12 – 18 MILLION/$18.5-27.8 MILLION. FOLLOWING A HEATED BIDDING CONTEST THAT LASTED SIX MINUTES AMONG AT LEAST SEVEN BIDDERS, BOTH ON THE PHONE AND IN THE SALESROOM, THE WORK FINALLY SOLD TO AN ANONYMOUS BUYER BIDDING OVER THE TELEPHONE. ACHIEVING A STRONG TOTAL OF £68,834,400 / $111,023,004, WELL WITHIN THE PRE-SALE ESTIMATE OF £55,630,000 - 79,250,000, THE SALE WAS 84.5% SOLD BY VALUE. THE SALE OF LA LECTURE BROUGHT THE PAINTING TO EUROPE FOR THE FIRST TIME SINCE IT WAS PAINTED IN 1932. IT IS ONE OF A SERIES OF DEFINING WORKS IN THE ARTIST'S OEUVRE IN WHICH HE INTRODUCES HIS YOUNG LOVER MARIE-THERESE WALTER AS A RECOGNIZABLE FIGURE. THE COUPLE'S RELATIONSHIP WAS KEPT A WELL-GUARDED SECRET FOR MANY YEARS, BOTH ON THE ACCOUNT OF THE FACT THAT PICASSO WAS THEN STILL MARRIED TO OLGA AND BECAUSE OF MARIE-THERES'S AGE, SHE WAS 17 AT THE TIME THEIR RELATIONSHIP BEGAN. UNTIL THE PERIOD IN WHICH THE WORK WAS PAINTED, MARIE-THERESE ONLY EVER APPEARED IN PICASSO'S WORKS IN CODE, HER FEATURES OFTEN EMBEDDED IN THE BACKGROUND OF HIS PAINTINGS. BUT BY THE END OF 1931, PICASSO COULD NO LONGER REPRESS THE CREATIVE IMPULSE THAT HIS LOVER INSPIRED, AND OVER CHRISTMAS AND NEW YEAR 1931 AND '32, MARIE-THERESE EMERGED, FOR THE FIRST TIME, IN FULLY RECOGNIZABLE, LANGUOROUS FORM.

PICASSO'S LA LECTURE SELLS FOR RECORD £25,241,250

TONIGHT, SOTHEBY'S IMPRESSIONIST & MODERN EVENING SALE WAS LED BY PABLO PICASSO'S ICONIC 1932 PAINTING OF MARIE-THERESE WALTER, LA LECTURE, WHICH SOLD TO A ROUND OF APPLAUSE FOR £25,241,250 /$40,711,612, MORE THAN DOUBLE THE LOW ESTIMATE OF £12 – 18 MILLION/$18.5-27.8 MILLION. FOLLOWING A HEATED BIDDING CONTEST THAT LASTED SIX MINUTES AMONG AT LEAST SEVEN BIDDERS, BOTH ON THE PHONE AND IN THE SALESROOM, THE WORK FINALLY SOLD TO AN ANONYMOUS BUYER BIDDING OVER THE TELEPHONE. ACHIEVING A STRONG TOTAL OF £68,834,400 / $111,023,004, WELL WITHIN THE PRE-SALE ESTIMATE OF £55,630,000 - 79,250,000, THE SALE WAS 84.5% SOLD BY VALUE. THE SALE OF LA LECTURE BROUGHT THE PAINTING TO EUROPE FOR THE FIRST TIME SINCE IT WAS PAINTED IN 1932. IT IS ONE OF A SERIES OF DEFINING WORKS IN THE ARTIST'S OEUVRE IN WHICH HE INTRODUCES HIS YOUNG LOVER MARIE-THERESE WALTER AS A RECOGNIZABLE FIGURE. THE COUPLE'S RELATIONSHIP WAS KEPT A WELL-GUARDED SECRET FOR MANY YEARS, BOTH ON THE ACCOUNT OF THE FACT THAT PICASSO WAS THEN STILL MARRIED TO OLGA AND BECAUSE OF MARIE-THERES'S AGE, SHE WAS 17 AT THE TIME THEIR RELATIONSHIP BEGAN. UNTIL THE PERIOD IN WHICH THE WORK WAS PAINTED, MARIE-THERESE ONLY EVER APPEARED IN PICASSO'S WORKS IN CODE, HER FEATURES OFTEN EMBEDDED IN THE BACKGROUND OF HIS PAINTINGS. BUT BY THE END OF 1931, PICASSO COULD NO LONGER REPRESS THE CREATIVE IMPULSE THAT HIS LOVER INSPIRED, AND OVER CHRISTMAS AND NEW YEAR 1931 AND '32, MARIE-THERESE EMERGED, FOR THE FIRST TIME, IN FULLY RECOGNIZABLE, LANGUOROUS FORM.

PICASSO'S LA LECTURE SELLS FOR RECORD £25,241,250

THE HIGH MUSEUM OF ART, ATLANTA, WILL CONTINUE ITS COLLABORATION WITH THE MUSEUM OF MODERN ART (MOMA), NEW YORK, WITH THE EXCLUSIVE PRESENTATION OF THE MAJOR EXHIBITION 'PICASSO TO WARHOL: TWELVE MODERN MASTERS' BEGINNING IN OCTOBER 2011. THE EXHIBITION WILL PRESENT APPROXIMATELY 100 WORKS OF ART CREATED BY 12 OF THE MOST ICONIC ARTISTS FROM THE 20th CENTURY; PABLO PICASSO, HENRI MATISSE, CONSTANTIN BRANCUSI, PIET MONDRIAN, FERNAND LEGER, MARCEL DUCHAMP, GIORGIO DE CHIRICO, JOAN MIRO, ALEXANDER CALDER, JACKSON POLLOCK, JASPER JOHNS AND ANDY WARHOL. 'PICASSO TO WARHOL ' WILL BE ONE OF THE LARGEST CONCENTRATIONS OF MODERN ART MASTERPIECES TO EVER BE EXHIBITED IN THE SOUTHEASTERN UNITED STATES. CO-ORGANIZED BY THE HIGH MUSEUM OF ART AND MOMA, THE EXHIBITION WILL BE ON VIEW ONLY IN ATLANTA FROM 15.OCTOBER THROUGH 29.APRIL.2012.

HIGH MUSEUM OF ART TO PRESENT 'PICASSO TO WARHOL: TWELVE MODERN MASTERS'

THE HIGH MUSEUM OF ART, ATLANTA, WILL CONTINUE ITS COLLABORATION WITH THE MUSEUM OF MODERN ART (MOMA), NEW YORK, WITH THE EXCLUSIVE PRESENTATION OF THE MAJOR EXHIBITION 'PICASSO TO WARHOL: TWELVE MODERN MASTERS' BEGINNING IN OCTOBER 2011. THE EXHIBITION WILL PRESENT APPROXIMATELY 100 WORKS OF ART CREATED BY 12 OF THE MOST ICONIC ARTISTS FROM THE 20th CENTURY; PABLO PICASSO, HENRI MATISSE, CONSTANTIN BRANCUSI, PIET MONDRIAN, FERNAND LEGER, MARCEL DUCHAMP, GIORGIO DE CHIRICO, JOAN MIRO, ALEXANDER CALDER, JACKSON POLLOCK, JASPER JOHNS AND ANDY WARHOL. 'PICASSO TO WARHOL ' WILL BE ONE OF THE LARGEST CONCENTRATIONS OF MODERN ART MASTERPIECES TO EVER BE EXHIBITED IN THE SOUTHEASTERN UNITED STATES. CO-ORGANIZED BY THE HIGH MUSEUM OF ART AND MOMA, THE EXHIBITION WILL BE ON VIEW ONLY IN ATLANTA FROM 15.OCTOBER THROUGH 29.APRIL.2012.

HIGH MUSEUM OF ART TO PRESENT 'PICASSO TO WARHOL: TWELVE MODERN MASTERS'

A SENSUAL 1932 PORTRAIT BY PABLO PICASSO OF HIS YOUNG MISTRESS MARIE-THERESE WALTER WHICH CAPTURES HIS ROMANTIC OBSESSION WITH HER WENT ON DISPLAY RECENTLY AT SOTHEBY'S IN PARIS, AHEAD OF ITS AUCTION NEXT MONTH. IT WAS THE FIRST PUBLIC SHOWING IN EUROPE IN SOME 80 YEARS OF 'LA LECTURE', OR 'READING', AN EROTIC AND BRIGHTLY COLOURED DEPICTION OF THE VOLUPTUOUS MARIE-THERESE SLEEPING NUDE IN AN ARMCHAIR, HER HEAD THROWN BACK AND AN OPEN BOOK IN HER LAP. PAINTED IN BRIGHT YELLOW, GREEN AND RED OILS AT THE HEIGHT OF WHAT ART EXPERTS CALL PICASSO'S 'LOVESTRUCK' PERIOD, IT WILL BE THE STAR OFFERING AT AN UPCOMING SALE OF IMPRESSIONIST AND MODERN ART BY SOTHEBY'S LONDON. EXPERTS SAY THE PAINTING COULD FETCH BETWEEN $19-29 MILLION AFTER ANOTHER PICASSO PORTRAIT OF MARIE-THERESE, 'NUDE, GREEN LEAVES AND BUST', WAS SOLD BY CHRISTIE'S, NEW YORK, FOR $106 MILLION IN 2010, AN ALL TIME RECORD FOR AN ART AUCTION. 'IN THE EARLY 1930s HE WAS VERY LYRICALLY IN LOVE AND REFLECTED THAT IN THESE GORGEOUS COLOURS, AND LOVELY COMPOSITION', PHILIP HOOK, DIRECTOR OF IMPRESSIONIST AND MODERN PICTURE DEPARTMENT AT SOTHEBY'S IN LONDON TOLD REUTERS IN A RECENT INTERVIEW. 'THIS PERIOD IS JUST ABOUT THE MOST DESIRABLE OF ALL PICASSO'S PERIODS, CERTAINLY IN MARKET TERMS', HE SAID. MARIE-THERESE WAS ONE OF A SERIES OF LOVERS AND MUSES WHO INSPIRED PICASSO THROUGHOUT HIS PROLIFIC EIGHT-DECADE CAREER. SHE FIRST CAUGHT HIS EYE IN 1927, AGED JUST 17, AS SHE WAS COMING OUT OF THE PARIS METRO ON HER BACK FROM A SHOPPING TRIP. PICASSO, IN HIS MID-FORTIES, WAS IMMEDIATELY SMITTEN. MARIE-THERESE LATER SAID HE TOOK HER BY THE ARM AND SAID: 'I AM PICASSO. YOU AND I ARE GOING TO GREAT THINGS TOGETHER.' ALTHOUGH STILL MARRIED TO HIS FIRST WIFE, RUSSIAN DANCER OLGA KHOKHLOVA, PICASSO BEGAN A COVERT AFFAIR WITH MARIE-THERESE, WHO LATER GAVE BIRTH TO THEIR DAUGHTER, MAYA OR MARIA DE LA CONCEPCION.

SOTHEBY'S PRESENTS PABLO PICASSO'S LA LECTURE BEFORE AUCTION

A SENSUAL 1932 PORTRAIT BY PABLO PICASSO OF HIS YOUNG MISTRESS MARIE-THERESE WALTER WHICH CAPTURES HIS ROMANTIC OBSESSION WITH HER WENT ON DISPLAY RECENTLY AT SOTHEBY'S IN PARIS, AHEAD OF ITS AUCTION NEXT MONTH. IT WAS THE FIRST PUBLIC SHOWING IN EUROPE IN SOME 80 YEARS OF 'LA LECTURE', OR 'READING', AN EROTIC AND BRIGHTLY COLOURED DEPICTION OF THE VOLUPTUOUS MARIE-THERESE SLEEPING NUDE IN AN ARMCHAIR, HER HEAD THROWN BACK AND AN OPEN BOOK IN HER LAP. PAINTED IN BRIGHT YELLOW, GREEN AND RED OILS AT THE HEIGHT OF WHAT ART EXPERTS CALL PICASSO'S 'LOVESTRUCK' PERIOD, IT WILL BE THE STAR OFFERING AT AN UPCOMING SALE OF IMPRESSIONIST AND MODERN ART BY SOTHEBY'S LONDON. EXPERTS SAY THE PAINTING COULD FETCH BETWEEN $19-29 MILLION AFTER ANOTHER PICASSO PORTRAIT OF MARIE-THERESE, 'NUDE, GREEN LEAVES AND BUST', WAS SOLD BY CHRISTIE'S, NEW YORK, FOR $106 MILLION IN 2010, AN ALL TIME RECORD FOR AN ART AUCTION. 'IN THE EARLY 1930s HE WAS VERY LYRICALLY IN LOVE AND REFLECTED THAT IN THESE GORGEOUS COLOURS, AND LOVELY COMPOSITION', PHILIP HOOK, DIRECTOR OF IMPRESSIONIST AND MODERN PICTURE DEPARTMENT AT SOTHEBY'S IN LONDON TOLD REUTERS IN A RECENT INTERVIEW. 'THIS PERIOD IS JUST ABOUT THE MOST DESIRABLE OF ALL PICASSO'S PERIODS, CERTAINLY IN MARKET TERMS', HE SAID. MARIE-THERESE WAS ONE OF A SERIES OF LOVERS AND MUSES WHO INSPIRED PICASSO THROUGHOUT HIS PROLIFIC EIGHT-DECADE CAREER. SHE FIRST CAUGHT HIS EYE IN 1927, AGED JUST 17, AS SHE WAS COMING OUT OF THE PARIS METRO ON HER BACK FROM A SHOPPING TRIP. PICASSO, IN HIS MID-FORTIES, WAS IMMEDIATELY SMITTEN. MARIE-THERESE LATER SAID HE TOOK HER BY THE ARM AND SAID: 'I AM PICASSO. YOU AND I ARE GOING TO GREAT THINGS TOGETHER.' ALTHOUGH STILL MARRIED TO HIS FIRST WIFE, RUSSIAN DANCER OLGA KHOKHLOVA, PICASSO BEGAN A COVERT AFFAIR WITH MARIE-THERESE, WHO LATER GAVE BIRTH TO THEIR DAUGHTER, MAYA OR MARIA DE LA CONCEPCION.

SOTHEBY'S PRESENTS PABLO PICASSO'S LA LECTURE BEFORE AUCTION

IN SEPTEMBER 1932, ALREADY A WORLD-FAMOUS ARTIST, PABLO PICASSO DROVE FROM PARIS TO ZURICH FOR THE OPENING OF A MEGA-EXHIBITION OF HIS WORKS THAT WAS TO MARK A TURNING POINT IN WESTERN CULTURAL HISTORY. ALTHOUGH HE CURATED THE EXHIBITS HIMSELF AT A LUXURY LAKESIDE HOTEL NEARBY FOR TWO DAYS, HOBNOBBING WITH ART CONNOISSEURS AND CRITICS, HE MYSTERIOUSLY NEVER WENT TO SEE THE SHOW AT THE CITY'S KUNSTHAUS MUSEUM. THIS AUTUMN, AND TO CELEBRATE ITS OWN CENTENARY, THE KUNSTHAUS HAS RECREATED THE LANDMARK EXHIBITION, OR SOMETHING UNDER HALF OF IT, AND IT HAS BEEN PULLING IN THE CROWDS. FOR THE ORIGINAL, THE THEN ALREADY 51 YEAR OLD PICASSO CHOSE THE 229 WORKS HIMSELF, PAINTINGS, LITHOGRAPHS AND A HANDFUL OF BRONZE SCULPTURES, TO BE DISPLAYED. 'IN EFFECT', SAYS TOBIA BEZZOLA WHO PUT TOGETHER THE NEW SHOW, 'HE CURATED THIS ONE TOO.' AT A TIME WHEN CONTEMPORARY ART WAS NORMALLY DISPLAYED IN PRIVATE AND COMMERCIAL GALLERIES, THE 1932 EXHIBITION WAS PROBABLY THE FIRST RETROSPECTIVE OF A LIVING ARTIST TO BE PUT ON IN A MUSEUM, CULTURAL HISTORIANS SAY. COVERING THE SPANISH-BORN PICASSO'S OUTPUT FROM 1899, WHEN HE WAS AN 18 YEAR OLD PRODIGY IN BARCELONA, THROUGH THE PINK, BLUE, CUBIST, CONSTRUCTIVIST AND SEMI-SURREALIST PERIODS THAT FOLLOWED WHEN HE MOVED TO PARIS AT THE TURN OF THE 20th CENTURY, IT SET A TREND THAT SWEPT THE ART WORLD AFTER WORLD WAR II AND STILL DOMINATES IT. WITH ITS CATALOGS, IN CHEAP AND EXPENSIVE VERSIONS, ITS POSTERS AND PRESS RELEASES, THE FIRST KUNSTHAUS SHOW WAS A PROTOTYPE OF THE ART BLOCKBUSTERS THAT BOOST REVENUES FOR MAJOR AND MINOR MUSEUM AROUND THE WORLD TODAY. NOT THAT IT BROUGHT MUCH CASH IN THEN, A TIME OF DEEP ECONOMIC WOES AS THE WORLD MOVED INTO THE GREAT DEPRESSION OF THE 1930s, DESPITE, FOR THE TIME, AN IMPRESSIVE TOTAL OF 32,000 VISITORS DURING THE TWO MONTHS IT WAS ON. A REFLECTION OF THE CASH-STRAPPED AGE WAS THAT NONE OF THE CANVASES WHICH PICASSO OFFERED FOR SALE AS THE KUNSTHAUS WERE BOUGHT EXCEPT ONE, BY THE MUSEUM ITSELF. THAT CUBIST WORK, 'GUITAR ON A GUERIDON' OF 1915, IS ONE OF THE CENTRAL PIECES AT THE NEW SHOW, WHICH OPENED ON 15.OCTOBER, CLOSES ON 30.JANUARY AND HAS ALREADY HOSTED 250,000 VISITORS.

KUNSTHAUS MUSEUM PRESENTS PICASSO EXHIBITION

IN SEPTEMBER 1932, ALREADY A WORLD-FAMOUS ARTIST, PABLO PICASSO DROVE FROM PARIS TO ZURICH FOR THE OPENING OF A MEGA-EXHIBITION OF HIS WORKS THAT WAS TO MARK A TURNING POINT IN WESTERN CULTURAL HISTORY. ALTHOUGH HE CURATED THE EXHIBITS HIMSELF AT A LUXURY LAKESIDE HOTEL NEARBY FOR TWO DAYS, HOBNOBBING WITH ART CONNOISSEURS AND CRITICS, HE MYSTERIOUSLY NEVER WENT TO SEE THE SHOW AT THE CITY'S KUNSTHAUS MUSEUM. THIS AUTUMN, AND TO CELEBRATE ITS OWN CENTENARY, THE KUNSTHAUS HAS RECREATED THE LANDMARK EXHIBITION, OR SOMETHING UNDER HALF OF IT, AND IT HAS BEEN PULLING IN THE CROWDS. FOR THE ORIGINAL, THE THEN ALREADY 51 YEAR OLD PICASSO CHOSE THE 229 WORKS HIMSELF, PAINTINGS, LITHOGRAPHS AND A HANDFUL OF BRONZE SCULPTURES, TO BE DISPLAYED. 'IN EFFECT', SAYS TOBIA BEZZOLA WHO PUT TOGETHER THE NEW SHOW, 'HE CURATED THIS ONE TOO.' AT A TIME WHEN CONTEMPORARY ART WAS NORMALLY DISPLAYED IN PRIVATE AND COMMERCIAL GALLERIES, THE 1932 EXHIBITION WAS PROBABLY THE FIRST RETROSPECTIVE OF A LIVING ARTIST TO BE PUT ON IN A MUSEUM, CULTURAL HISTORIANS SAY. COVERING THE SPANISH-BORN PICASSO'S OUTPUT FROM 1899, WHEN HE WAS AN 18 YEAR OLD PRODIGY IN BARCELONA, THROUGH THE PINK, BLUE, CUBIST, CONSTRUCTIVIST AND SEMI-SURREALIST PERIODS THAT FOLLOWED WHEN HE MOVED TO PARIS AT THE TURN OF THE 20th CENTURY, IT SET A TREND THAT SWEPT THE ART WORLD AFTER WORLD WAR II AND STILL DOMINATES IT. WITH ITS CATALOGS, IN CHEAP AND EXPENSIVE VERSIONS, ITS POSTERS AND PRESS RELEASES, THE FIRST KUNSTHAUS SHOW WAS A PROTOTYPE OF THE ART BLOCKBUSTERS THAT BOOST REVENUES FOR MAJOR AND MINOR MUSEUM AROUND THE WORLD TODAY. NOT THAT IT BROUGHT MUCH CASH IN THEN, A TIME OF DEEP ECONOMIC WOES AS THE WORLD MOVED INTO THE GREAT DEPRESSION OF THE 1930s, DESPITE, FOR THE TIME, AN IMPRESSIVE TOTAL OF 32,000 VISITORS DURING THE TWO MONTHS IT WAS ON. A REFLECTION OF THE CASH-STRAPPED AGE WAS THAT NONE OF THE CANVASES WHICH PICASSO OFFERED FOR SALE AS THE KUNSTHAUS WERE BOUGHT EXCEPT ONE, BY THE MUSEUM ITSELF. THAT CUBIST WORK, 'GUITAR ON A GUERIDON' OF 1915, IS ONE OF THE CENTRAL PIECES AT THE NEW SHOW, WHICH OPENED ON 15.OCTOBER, CLOSES ON 30.JANUARY AND HAS ALREADY HOSTED 250,000 VISITORS.

KUNSTHAUS MUSEUM PRESENTS PICASSO EXHIBITION

PABLO PICASSO WAS BOTH HIGHLY PROLIFIC AND INFAMOUSLY GENEROUS WITH GIFTING HIS WORKS, BUT WAS HE ENOUGH OF A FREE SPIRIT TO GIVE AWAY HUNDREDS OF HIS ICONIC EARLY WORKS, AN INVALUABLE COLLECTION, TO HIS ELECTRICIAN. THAT QUESTION LIES AT THE HEART OF A COURT CASE OVER THE ORIGIN OF 271 PICASSO WORKS, A TREASURE TROVE OF ORIGINAL SKETCHES, PAINTINGS AND COLLAGES THAT WAS UNKNOWN TO THE ART WORLD A FEW MONTHS AGO AND UNVEILED FOR THE PUBLIC MONDAY. EXPERTS HAVE YET TO APPRAISE THE FULL COLLECTION, WHICH HAS BEEN PLACED UNDER LOCK AND KEY AFTER A JUDICIAL APPEAL BY PICASSO'S HEIRS. BUT THERE IS LITTLE DISPUTE SO FAR OVER ITS AUTHENTICITY. THE WORKS, MANY OF WHICH BELONG TO THE ARTIST'S BLUE AND CUBIST PERIODS, COULD FETCH MORE THAN $80 MILLION AT AUCTION. MOST MYSTERIOUS IS HOW SUCH AN EXTENSIVE COLLECTION COULD HAVE WOUND UP IN THE HANDS OF A RETIRED ELECTRICIAN IN THE SOUTH OF FRANCE WHO ONCE WORKED FOR THE PICASSO FAMILY, OR WHY HE CHOSE TO HOLD ONTO IT FOR SO MANY DECADES. 'WE HAVE QUESTIONS, LEGITIMATE QUESTIONS ABOUT WHERE THE PAINTINGS CAME FROM', CLAUDE ANDRIEU, LEGAL COUNCIL FOR THE PICASSO FOUNDATION, TOLD REUTERS TELEVISION. 'WE ARE DISCOVERING NEW PIECES, COMPLETELY UNKNOWN PIECES THAT HAVE NEVER BEEN PRINTED IN ANY BOOK.' THE MYSTERY BEGAN WHEN CLAUDE PICASSO, SON OF THE ARTIST AND HEAD OF THE FOUNDATION NAMED AFTER HIM, RECEIVED A LETTER FROM A MAN WHO SAID HE OWNED ORIGINAL PICASSO PICASSO PIECES AND WANTED TO HAVE THEM VERIFIED FOR AUTHENTICITY. PICASSO CONVINCED THE MAN TO BRING THE COLLECTION TO PARIS, SAYING HE WOULD BE UNABLE TO VERIFY IT FROM PHOTOGRAPHS. THE MAN ARRIVED BY CAR WITH THE PAINTINGS IN A SUITCASE AND LAID THEM ON A TABLE. 'I FELT A GREAT SURPRISE, NATURALLY, LOTS OF EMOTION AT THE DISCOVERY OF PIECES WITH WHICH WE WERE NOT FAMILIAR. BUT ALSO A DEEP DISTURBANCE', HE TOLD FRENCH DAILY LIBERATION. 'MANY OF THESE PIECES WERE NOT DATED, WHICH MEANS THEY NEVER SHOULD HAVE LEFT THE STUDIO.' THE MAN IN QUESTION IS PIERRE LE GUENNEC, AN ELECTRICIAN IN HIS SEVENTIES WHO WORKED ON PICASSO'S PROPERTY IN THE SOUTH OF FRANCE DURING THE 1970s. HE TOLD REUTERS TELEVISION THAT PICASSO'S WIFE GAVE HIM THE ARTWORKS. 'IT'S MADAME (PICASSO) WHO GAVE THEM. BUT IF MADAME GAVE THEM, MONSIEUR WAS AWARE OF IT. SHE WASN'T GOING TO DO IT JUST LIKE THAT, WAS SHE?' HE SAID, SPEAKING THROUGH A GATE IN FRONT OF HIS PROPERTY. 'WHAT DID YOU WANT ME TO DO WITH THEM?...THEY STAYED IN A BOX WITH OTHER BOXES THAT I HAVE, FROM MY JOB.' YET PICASSO'S HEIRS ARE NOT CONVINCED WITH HIS EXPLANATIONS. WHILE THE ARTIST WAS KNOWN TO DASH OUT SKETCHES ON NAPKINS AT RESTAURANTS AND MAKE SPONTANEOUS GIFTS TO FRIENDS, HE WOULD NOT HAVE SEPARATED WITH SUCH A LARGE STORE OF WORK, HIS SON TOLD LIBERATION. 'IT DOESN'T HOLD UP, FRANKLY', PICASSO SAID. ANDRIEU OF THE PICASSO FOUNDATION SAID THAT LE GUENNEC HAD CHANGED HIS STORY MANY TIMES, FIRST TELLING THEM HE HAD RECEIVED THE PAINTINGS FROM PICASSO HIMSELF, THEN PICASSO'S WIFE, AND ALTERNATELY IN A BOX OR A TRASH CAN. QUESTIONED BY POLICE, HE SAID THE PAINTINGS WERE GIVEN TO HIM BY PICASSO'S WIFE, WHO DIED IN 1986. LE GUENNEC DENIED STEALING THE PAINTINGS AND TOLD RTL RADIO HE DECIDED TO ASK ABOUT THEIR VALUE AS A POSSIBLE INHERITANCE FOR HIS CHILDREN. UNWILLING TO RISK LOSING THE WORKS, PICASSO'S HEIRS SUCCESSFULLY APPEALED TO A JUDGE TO HAVE THE WORKS PLACED UNDER LOCK AND KEY, WHERE EXPERTS CAN STUDY AND CARE FOR THEM. AMONG THE WORKS ARE NINE EXTREMELY RARE CUBIST COLLAGES, A WATERCOLOUR FROM PICASSO'S BLUE PERIOD, SEVERAL PAINTED HAND STUDIES, SOME 30 LITHOGRAPHS AND OVER 200 DRAWINGS, AS WELL AS PORTRAITS OF THE ARTIST'S FIRST WIFE, OLGA KHOKHLOVA. 'MR PICASSO IS ONLY INTERESTED IN THE HISTORY OF ART', ANDRIEU SAID. 'WE GOT THE PIECES SECURED, AND NOW IT IS FOR THE JUDGE TO DETERMINE HOW THE PIECES WERE OBTAINED.'

271 UNKNOWN PICASSO ARTWORKS RECENTLY UNVEILED