A GOLD, ENAMEL AND GARNET BODICE BROOCH FROM 1830 THAT BELONGED TO QUEEN VICTORIA MADE FOURTEEN TIMES ITS PRE-SALE ESTIMATE AT BONHAMS JEWELRY SALE THAT TOOK PLACE YESTERDAY IN KNIGHTSBRIDGE. WITH A PRE-SALE ESTIMATE OF £600–800, THE BROOCH SOLD FOR £11,400. THE FINELY DETAILED BROOCH IS EMBELLISHED WITH GREEN AND RED ENAMEL, SET WITH CABOCHON GARNETS THAT SUSPEND AN ELONGATED DROP OF A SIMILAR DESIGN. THE BROOCH ORIGINALLY BELONGED TO VICTORIA, DUCHESS OF KENT, WHO ON HER DEATH IN 1861 LEFT HER JEWELRY TO HER DAUGHTER, QUEEN VICTORIA. QUEEN VICTORIA SUBSEQUENTLY GAVE THE BROOCH TO HER THIRD DAUGHTER HELENA, PRINCESS CHRISTIAN OF SCHLESWIG-HOLSTEIN, AS A PRESENT ON HER 24th BIRTHDAY IN 1870. THE REVERSE OF THE BROOCH HAS A SIMPLE, YET VERY PERSONAL ENGRAVING: 'BELONGED TO DEAR GRANDMAMMA V. FROM MAMA V.R. TO HELENA 25th MAY 1870'. ALTHOUGH PRINCESS HELENA MARRIED THE GERMAN PRINCE CHRISTIAN OF SCHLESWIG-HOLSTEIN IN 1866, THEY REMAINED IN BRITAIN CLOSE TO THE QUEEN, WHO LIKED TO HAVE HER DAUGHTERS NEARBY. HELENA WAS CONSIDERED THE MOST ACTIVE MEMBER OF THE ROYAL FAMILY, CARRYING OUT AN EXTENSIVE PROGRAM OF ROYAL ENGAGEMENTS. SHE WAS ALSO A COMMITTED PATRON OF CHARITIES, AND WAS ONE OF THE FOUNDING MEMBERS OF THE RED CROSS. SHE WAS ALSO THE ORIGINAL PRESIDENT OF THE ROYAL SCHOOL OF NEEDLEWORK, AND PRESIDENT OF THE ROYAL BRITISH NURSES' ASSOCIATION.

BROOCH THE BELONGED TO QUEEN VICTORIA SELLS FOR £11,400

A GOLD, ENAMEL AND GARNET BODICE BROOCH FROM 1830 THAT BELONGED TO QUEEN VICTORIA MADE FOURTEEN TIMES ITS PRE-SALE ESTIMATE AT BONHAMS JEWELRY SALE THAT TOOK PLACE YESTERDAY IN KNIGHTSBRIDGE. WITH A PRE-SALE ESTIMATE OF £600–800, THE BROOCH SOLD FOR £11,400. THE FINELY DETAILED BROOCH IS EMBELLISHED WITH GREEN AND RED ENAMEL, SET WITH CABOCHON GARNETS THAT SUSPEND AN ELONGATED DROP OF A SIMILAR DESIGN. THE BROOCH ORIGINALLY BELONGED TO VICTORIA, DUCHESS OF KENT, WHO ON HER DEATH IN 1861 LEFT HER JEWELRY TO HER DAUGHTER, QUEEN VICTORIA. QUEEN VICTORIA SUBSEQUENTLY GAVE THE BROOCH TO HER THIRD DAUGHTER HELENA, PRINCESS CHRISTIAN OF SCHLESWIG-HOLSTEIN, AS A PRESENT ON HER 24th BIRTHDAY IN 1870. THE REVERSE OF THE BROOCH HAS A SIMPLE, YET VERY PERSONAL ENGRAVING: 'BELONGED TO DEAR GRANDMAMMA V. FROM MAMA V.R. TO HELENA 25th MAY 1870'. ALTHOUGH PRINCESS HELENA MARRIED THE GERMAN PRINCE CHRISTIAN OF SCHLESWIG-HOLSTEIN IN 1866, THEY REMAINED IN BRITAIN CLOSE TO THE QUEEN, WHO LIKED TO HAVE HER DAUGHTERS NEARBY. HELENA WAS CONSIDERED THE MOST ACTIVE MEMBER OF THE ROYAL FAMILY, CARRYING OUT AN EXTENSIVE PROGRAM OF ROYAL ENGAGEMENTS. SHE WAS ALSO A COMMITTED PATRON OF CHARITIES, AND WAS ONE OF THE FOUNDING MEMBERS OF THE RED CROSS. SHE WAS ALSO THE ORIGINAL PRESIDENT OF THE ROYAL SCHOOL OF NEEDLEWORK, AND PRESIDENT OF THE ROYAL BRITISH NURSES' ASSOCIATION.

BROOCH THE BELONGED TO QUEEN VICTORIA SELLS FOR £11,400

A PREVIOUSLY UNKNOWN COPY OF A VERY RARE BOOK OF EARLY POEMS BY WILLIAM BLAKE IS UP FOR AUCTION AT THE BOOKS, MAPS, MANUSCRIPTS AND HISTORICAL PHOTOGRAPHS SALE AT BONHAMS IN LONDON ON 22.MARCH. IT IS ESTIMATED AT BETWEEN £60,000-80,000. THE POEMS IN POETICAL SKETCHES WERE WRITTEN BETWEEN 1768 AND 1777 WHEN BLAKE WAS IN HIS TEENS. IN 1783, A GROUP OF HIS FRIENDS BANDED TOGETHER AND PAID FOR THEM TO BE PRINTED IN A SLIM 70 PAGE VOLUME. APPROXIMATELY 50 COPIES WERE PRINTED BUT THE WHEREABOUTS OF ONLY 20 ARE KNOWN SO THE DISCOVERY OF THIS COPY, ONE OF A VERY FEW IN PRIVATE HANDS, IS HIGHLY SIGNIFICANT. BLAKE WAS GIVEN THE PRINT RUN TO SELL OR GIVE AWAY BUT HE SEEMS NOT TO HAVE BEEN VERY ACTIVE IN PROMOTING THEM BECAUSE SEVERAL COPIES WERE FOUND AMONG HIS POSSESSIONS WHEN HE DIED. HIS FRIENDS, WHO INCLUDED THE SCULPTOR JOHN FLAXMAN, WERE KEEN TO SPREAD THE WORD OF BLAKE'S TALENT AND GAVE SOME VOLUMES AWAY ON HIS BEHALF BUT THE COPY FOR AUCTION WAS ACTUALLY GIVEN BY BLAKE HIMSELF. IT CARRIES HIS INSCRIPTION AND HIS ADDRESS NEAR LEICESTER FIELDS (PRESENT DAY LEICESTER SQUARE) WHERE HE LIVED FROM 1782 UNTIL JULY 1784, SO HE MUST HAVE GIVEN THE COPY AWAY FAIRLY SOON AFTER IT WAS PRINTED. THE IDENTITY OF THE RECIPIENT IS NOT KNOWN. THE BOOK ITSELF WAS LITTERED WITH ERRORS, SOME OF WHICH BLAKE CORRECTED BEFORE HANDING COPIES OUT. ALTHOUGH IT NEVER WENT INTO COMMERCIAL PUBLICATION DURING BLAKE'S LIFETIME, THE BOOK, WHICH INCLUDES WORKS SUCH AS 'MAD SONG' AND 'TO THE EVENING STAR' IS SEEN AS A SIGNIFICANT PART OF HIS OUTPUT, ANTICIPATING THE STYLE OF HIS MATURE WORK AND THE DEVELOPMENT OF HIS SYMBOLIC LANGUAGE.

BONHAMS TO SELL RARE BOOK OF EARLY POEMS BY WILLIAM BLAKE

A PREVIOUSLY UNKNOWN COPY OF A VERY RARE BOOK OF EARLY POEMS BY WILLIAM BLAKE IS UP FOR AUCTION AT THE BOOKS, MAPS, MANUSCRIPTS AND HISTORICAL PHOTOGRAPHS SALE AT BONHAMS IN LONDON ON 22.MARCH. IT IS ESTIMATED AT BETWEEN £60,000-80,000. THE POEMS IN POETICAL SKETCHES WERE WRITTEN BETWEEN 1768 AND 1777 WHEN BLAKE WAS IN HIS TEENS. IN 1783, A GROUP OF HIS FRIENDS BANDED TOGETHER AND PAID FOR THEM TO BE PRINTED IN A SLIM 70 PAGE VOLUME. APPROXIMATELY 50 COPIES WERE PRINTED BUT THE WHEREABOUTS OF ONLY 20 ARE KNOWN SO THE DISCOVERY OF THIS COPY, ONE OF A VERY FEW IN PRIVATE HANDS, IS HIGHLY SIGNIFICANT. BLAKE WAS GIVEN THE PRINT RUN TO SELL OR GIVE AWAY BUT HE SEEMS NOT TO HAVE BEEN VERY ACTIVE IN PROMOTING THEM BECAUSE SEVERAL COPIES WERE FOUND AMONG HIS POSSESSIONS WHEN HE DIED. HIS FRIENDS, WHO INCLUDED THE SCULPTOR JOHN FLAXMAN, WERE KEEN TO SPREAD THE WORD OF BLAKE'S TALENT AND GAVE SOME VOLUMES AWAY ON HIS BEHALF BUT THE COPY FOR AUCTION WAS ACTUALLY GIVEN BY BLAKE HIMSELF. IT CARRIES HIS INSCRIPTION AND HIS ADDRESS NEAR LEICESTER FIELDS (PRESENT DAY LEICESTER SQUARE) WHERE HE LIVED FROM 1782 UNTIL JULY 1784, SO HE MUST HAVE GIVEN THE COPY AWAY FAIRLY SOON AFTER IT WAS PRINTED. THE IDENTITY OF THE RECIPIENT IS NOT KNOWN. THE BOOK ITSELF WAS LITTERED WITH ERRORS, SOME OF WHICH BLAKE CORRECTED BEFORE HANDING COPIES OUT. ALTHOUGH IT NEVER WENT INTO COMMERCIAL PUBLICATION DURING BLAKE'S LIFETIME, THE BOOK, WHICH INCLUDES WORKS SUCH AS 'MAD SONG' AND 'TO THE EVENING STAR' IS SEEN AS A SIGNIFICANT PART OF HIS OUTPUT, ANTICIPATING THE STYLE OF HIS MATURE WORK AND THE DEVELOPMENT OF HIS SYMBOLIC LANGUAGE.

BONHAMS TO SELL RARE BOOK OF EARLY POEMS BY WILLIAM BLAKE

A GOLD, ENAMEL AND GARNET BODICE BROOCH FROM 1830 THAT BELONGED TO QUEEN VICTORIA WILL BE OFFERED IN THE JEWELERY SALE, TAKING PLACE ON 6.APRIL AT BONHAMS KNIGHTSBRIDGE. THE FINELY DETAILED BROOCH IS EMBELLISHED WITH GREEN AND RED ENAMEL, SET WITH CABOCHON GARNETS THAT SUSPEND AN ELONGATED DROP OF A SIMILAR DESIGN. IT IS ESTIMATED TO SELL FOR £600 – 800. THE BROOCH ORIGINALLY BELONGED TO VICTORIA, DUCHESS OF KENT, WHO ON HER DEATH BED IN 1861 (THE SAME YEAR AS THE DEATH OF PRINCE ALBERT) LEFT HER JEWELRY TO HER DAUGHTER, QUEEN VICTORIA. QUEEN VICTORIA SUBSEQUENTLY GAVE THE BROOCH TO HER THIRD DAUGHTER HELENA, PRINCESS CHRISTIAN OF SCHLESWIG-HOLSTEIN, AS A PRESENT ON HER 24th BIRTHDAY IN 1870. THE REVERSE OF THE BROOCH HAS A SIMPLE, YET VERY PERSONAL ENGRAVING: 'BELONGED TO DEAR GRANDMAMMA V. FROM MAMA V.R. TO HELENA 25th MAY 1870'. ALTHOUGH PRINCESS HELENA MARRIED THE GERMAN PRINCE CHRISTIAN OF SCHLESWIG-HOLSTEIN IN 1866, THEY REMAINED IN BRITAIN CLOSE TO THE QUEEN, WHO LIKED TO HAVE HER DAUGHTERS NEARBY. HELENA WAS CONSIDERED THE MOST ACTIVE MEMBER OF THE ROYAL FAMILY, CARRYING OUT AN EXTENSIVE PROGRAM OF ROYAL ENGAGEMENTS. SHE WAS ALSO AN ACTIVE PATRON OF CHARITIES, AND WAS ONE OF THE FOUNDING MEMBERS OF THE RED CROSS. SHE WAS ALSO FOUNDING PRESIDENT OF THE ROYAL SCHOOL OF NEEDLEWORK, AND PRESIDENT OF THE ROYAL BRITISH NURSES' ASSOCIATION.

BONHAMS TO SELL BROOCH THAT ONCE BELONGED TO QUEEN VICTORIA

A GOLD, ENAMEL AND GARNET BODICE BROOCH FROM 1830 THAT BELONGED TO QUEEN VICTORIA WILL BE OFFERED IN THE JEWELERY SALE, TAKING PLACE ON 6.APRIL AT BONHAMS KNIGHTSBRIDGE. THE FINELY DETAILED BROOCH IS EMBELLISHED WITH GREEN AND RED ENAMEL, SET WITH CABOCHON GARNETS THAT SUSPEND AN ELONGATED DROP OF A SIMILAR DESIGN. IT IS ESTIMATED TO SELL FOR £600 – 800. THE BROOCH ORIGINALLY BELONGED TO VICTORIA, DUCHESS OF KENT, WHO ON HER DEATH BED IN 1861 (THE SAME YEAR AS THE DEATH OF PRINCE ALBERT) LEFT HER JEWELRY TO HER DAUGHTER, QUEEN VICTORIA. QUEEN VICTORIA SUBSEQUENTLY GAVE THE BROOCH TO HER THIRD DAUGHTER HELENA, PRINCESS CHRISTIAN OF SCHLESWIG-HOLSTEIN, AS A PRESENT ON HER 24th BIRTHDAY IN 1870. THE REVERSE OF THE BROOCH HAS A SIMPLE, YET VERY PERSONAL ENGRAVING: 'BELONGED TO DEAR GRANDMAMMA V. FROM MAMA V.R. TO HELENA 25th MAY 1870'. ALTHOUGH PRINCESS HELENA MARRIED THE GERMAN PRINCE CHRISTIAN OF SCHLESWIG-HOLSTEIN IN 1866, THEY REMAINED IN BRITAIN CLOSE TO THE QUEEN, WHO LIKED TO HAVE HER DAUGHTERS NEARBY. HELENA WAS CONSIDERED THE MOST ACTIVE MEMBER OF THE ROYAL FAMILY, CARRYING OUT AN EXTENSIVE PROGRAM OF ROYAL ENGAGEMENTS. SHE WAS ALSO AN ACTIVE PATRON OF CHARITIES, AND WAS ONE OF THE FOUNDING MEMBERS OF THE RED CROSS. SHE WAS ALSO FOUNDING PRESIDENT OF THE ROYAL SCHOOL OF NEEDLEWORK, AND PRESIDENT OF THE ROYAL BRITISH NURSES' ASSOCIATION.

BONHAMS TO SELL BROOCH THAT ONCE BELONGED TO QUEEN VICTORIA

THE LARGEST KNOWN MUGHAL PAINTING IS TO BE OFFERED AT BONHAMS, LONDON, ON 5.APRIL FOR AN ESTIMATED PRICE OF UPWARDS OF £1 MILLION. IT IS IN THE STYLE OF A EUROPEAN PORTRAIT OF THE EARLY 17th CENTURY. THE PORTRAIT WHICH WILL LEAD A SALE OF WORKS OF INDIAN AND ISLAMIC ART IS A UNIQUE PAINTING OF THE MUGHAL EMPEROR JAHANGIR WHO RULED INDIA 1605-27 AND IS ATTRIBUTED TO THE MUGHAL ARTIST ABUL HASAN, NADIR AL-ZAMAN OR 'WONDER OF THE AGE'. PREVIOUSLY SHOWN IN THE NATIONAL PORTRAIT GALLERY IN AN EXHIBITION ON THE INDIAN PORTRAIT IN 2010, THE EMPEROR IS SHOWN ON A GOLD DECORATED THRONE HOLDING A GLOBE, WEARING ELABORATE ROBES AND JEWELRY. THE SURROUNDING PERSIAN INSCRIPTION STATE IT WAS PAINTED AT MENDU IN THE AH1026/AD1617. ALICE BAILEY, HEAD OF ISLAMIC AND INDIAN ART AT BONHAMS SAID: 'THIS IS ONE OF THE RAREST AND MOST DESIRABLE 17th CENTURY PAINTINGS EVER TO COME TO AUCTION. THERE IS NO OTHER WORK OF ITS KIND AND ITS IMPORTANCE CANNOT BE UNDERESTIMATED. THE EXTRAORDINARY DETAIL AND COMPLEXITY OF THE PAINTING BOTH FASCINATE AND BEWITCH THE VIEWER.'

BONHAMS TO SELL RARE 17th CENTURY MUGHAL PORTRAIT

THE LARGEST KNOWN MUGHAL PAINTING IS TO BE OFFERED AT BONHAMS, LONDON, ON 5.APRIL FOR AN ESTIMATED PRICE OF UPWARDS OF £1 MILLION. IT IS IN THE STYLE OF A EUROPEAN PORTRAIT OF THE EARLY 17th CENTURY. THE PORTRAIT WHICH WILL LEAD A SALE OF WORKS OF INDIAN AND ISLAMIC ART IS A UNIQUE PAINTING OF THE MUGHAL EMPEROR JAHANGIR WHO RULED INDIA 1605-27 AND IS ATTRIBUTED TO THE MUGHAL ARTIST ABUL HASAN, NADIR AL-ZAMAN OR 'WONDER OF THE AGE'. PREVIOUSLY SHOWN IN THE NATIONAL PORTRAIT GALLERY IN AN EXHIBITION ON THE INDIAN PORTRAIT IN 2010, THE EMPEROR IS SHOWN ON A GOLD DECORATED THRONE HOLDING A GLOBE, WEARING ELABORATE ROBES AND JEWELRY. THE SURROUNDING PERSIAN INSCRIPTION STATE IT WAS PAINTED AT MENDU IN THE AH1026/AD1617. ALICE BAILEY, HEAD OF ISLAMIC AND INDIAN ART AT BONHAMS SAID: 'THIS IS ONE OF THE RAREST AND MOST DESIRABLE 17th CENTURY PAINTINGS EVER TO COME TO AUCTION. THERE IS NO OTHER WORK OF ITS KIND AND ITS IMPORTANCE CANNOT BE UNDERESTIMATED. THE EXTRAORDINARY DETAIL AND COMPLEXITY OF THE PAINTING BOTH FASCINATE AND BEWITCH THE VIEWER.'

BONHAMS TO SELL RARE 17th CENTURY MUGHAL PORTRAIT

BONHAMS NEXT SALE OF ANTIQUITIES ON 13.APRIL INCLUDES THREE POWERFUL IMAGES OS ALEXANDER THE GREAT, A 2000 YEAR OLD RING BEARING HIS IMAGE AND TWO STUNNING SCULPTED HEADS FROM THE SAME ERA. MADELEINE PERRIDGE, HEAD OF ANTIQUITIES AT BONHAMS SAID; 'ALEXANDER THE GREAT SEEN AS THE GREATEST GENERAL AND RULER IN HISTORY. AFTER HIS DEATH HE WAS TREATED AS A DEMI-GOD, HIS IMAGE WAS EVERYWHERE AND HIS LEGENDARY EXPLOITS A POWERFUL PART OF GREEK AND ROMAN CULTURE. THE ROMAN EMPERORS EVEN ADOPTED HIM AS AN IDEAL AND REPRESENTED THEMSELVES IN HIS GUISE, A RING USED BY THE EMPEROR AUGUSTUS WAS ACTUALLY ADORNED WITH THE FIGURE OF ALEXANDER, POSSIBLY MUCH LIKE THE ONE WE ARE SELLING. THE THREE WORKS OF ART UP FOR AUCTION ARE PROOF OF THE POWER OF HIS IMAGE AND LEGEND THROUGHOUT THE HELLENISTIC AND ROMAN PERIODS, ENDURING EVEN IN THE PRESENT DAY.' THE FIRST SCULPTED HEAD OF ALEXANDER THE GREAT IS ROMAN FROM THE ANTONINE DYNASTY, CIRCA AD 138-161, IT IS OVER-LIFESIZE. HE IS DEPICTED WITH DISTINCTIVE WAVY HAIR FALLING AT HIS FURROWED BROW AND THE NAPE OF HIS NECK, HIS BROWS CARVED IN RELIEF WITH NOTCHED DETAILS, THE LIDDED EYES WITH INCISED IRISES AND DRILLED PUPILS, HIS SHAPELY LIPS ABOVE A STRONG CHIN. IT STANDS 12½in HIGH, AND IS ESTIMATED TO SELL FOR £150,000-200,000. THE SECOND ALEXANDER IN THE SALE IS ONCE AGAIN A ROMAN MARBLE HEAD OF ALEXANDER HELIOS CIRCA 1st CENTURY BC-AD. THE THICK WAVY HAIR SECURED WITH A FILLET WITH TWO LINES OF DRILL HOLES FOR INSERTION OF A RADIATE HEADDRESS, THE HEAD TILTED SLIGHTLY TO THE RIGHT, WITH SEEP-SET ALMOND-SHAPED EYES AND FULL LIPS, 7¾in HIGH. IT IS ESTIMATED TO SELL FOR £7,000-9,000. THE PIECE WAS ACQUIRED BY JOHN PETER DEERING, AN EMINENT ARCHITECT AND ROYAL ACADEMICIAN OF THE EARLY 19th CENTURY, PROBABLY ON A TRIP TO POMPEII CIRCA 1817. HE ALSO CO-WROTE WITH SIR WILLIAM GELL, AND ACCOUNT OF HIS TRIP TO POMPEII: 'THE TOPOGRAPHY, EDIFICES AND ORNAMENTS OF POMPEII'. THE THIRD ALEXANDER-LINKED OBJECT IN THE SALE IS A HELLENISTIC GOLD AND CARNELIAN INTAGLIO RING OF ALEXANDER THE GREAT CIRCA 2nd-1st CENTURY BC. A FLAT CIRCULAR STONE ENGRAVED WITH THE PROFILE HEAD OF ALEXANDER THE GREAT IN THE GUISE OF HERAKLES WEARING A LION'S SKIN, THE JAW PULLED UP OVER HIS HEAD WITH THE PAWS TIED AT THE NECK, SET IN THE ORIGINAL GOLD RING, THE HOOP FLARING AT THE BEZEL, IT IS ESTIMATED TO SELL FOR £40,000-50,000.

BONHAMS TO SELL THREE IMAGES OF ALEXANDER THE GREAT